Illuminating poem Mornings on the Bridge by Nathan Kernan
Part of POEMS portfolio
19 ¼ x 28 3/8 inches
27 ½ x 36 ½ inches framed
Numbered and signed in pencil on Colophon page: 23/76 Joan Mitchell
And signed in pencil: Nathan Kernan
Published by Tyler Graphics Ltd., Mount Kisco, NY, 1992
Framed to museum conservation standards - floated on acid free white mat board, white frame and optium acrylic.
Joan Mitchell stands out as the most important woman in the American Abstract Expressionist movement of the 1940s and 50s, exhibiting alongside titans Jackson Pollock, Willem de Kooning, and Barnett Newman. Mitchell was born in Illinois, and studied at Smith College. On a scholarship trip to Europe in the late 1940s, Mitchell began a passionate and life-long affair with France, and divided the rest of her time between homes there and in New York.
Mitchell's work, although abstract, is grounded and inspired in landscape. Her work reflects the influence of Monet, Cézanne, and Van Gogh. As a result, her paintings have an organic flow to them, the seemingly scattered paint alluding to nature's equally nuanced order.